Landscape Interfaces: Cultural Heritage in Changing Landscapes
1 comments Posted by Urban Planning Theory at 12:59 AMThe book contributes to the relatively extensive study of landscapes by exploring the interfaces in the landscape. Instead of taking a viewpoint of some of the disciplines we try to map the links between them, indicate points for common understanding and cooperation. These interfaces happen between different cultures, between natural and human sciences, past and present, lay people and experts, time and space, preservation and use, ecology and semiosis. It compares how different cultures interpret landscapes, how cultural values are assessed, explores new tools for assessment, picks up the discussion about landscape authenticity, and finally draws perspectives for further research. It is not a textbook on its own, rather it is additional reading for any course dealing with landscapes on advanced levels, for geographers, landscape ecologists, landscape architects and everybody concerned with landscapes.
Popular Passages:
The cultural landscape is fashioned out of a natural landscape by a culture group. Culture is the agent, the natural area is the medium, the cultural landscape is the result. Under the influence of a given culture, itself changing through time, the landscape undergoes development, passing - Page 34
i) represent a masterpiece of human creative genius, or ii) exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town planning or landscape design or, - Page 116
see, feel, think, imagine, and so on, and which he would readily understand when similarly applied by others. An experiencedistant concept is one that specialists of one sort or another ... employ to forward their scientific, philosophical, or practical aims. - Page 286
phases, and probably reaching the end of its cycle of development. With the introduction of a different, that is, alien culture, a rejuvenation of the cultural landscape sets in, or a new landscape is superimposed on remnants of an older one. The natural landscape is - Page 34
the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link”. - Page 298
The cultural landscape is fashioned from a natural landscape by a culture group. Culture is the agent, the natural area is the medium and the cultural landscape is the result - Page 375
meet the test of authenticity in design, material, workmanship or setting and in the case of cultural landscapes their distinctive character and components ... and have adequate legal and/or contractual and/or traditional protection and management mechanisms to ensure the conservation of the nominated cultural properties or cultural landscapes”. - Page 117
twofold function: first to establish an order which will enable individuals to orient themselves in their material and social world and to master it; and secondly to enable communication - Page 361
to experience-near concepts leaves an ethnographer awash in immediacies, as well as entangled in vernacular. Confinement to experience-distant ones leaves him stranded in abstractions and smothered in jargon”. - Page 286
indications which identify a good as originating in the territory of a member, or a region or locality - Page 18
Cover:
+ By Gary ( Fry, Hannes Palang
+ Published 2003, Springer
+ 405 pages
+ ISBN 1402014376
Labels: Urban Landscape
Summary:
Popular Passages:
The bulldozing of an irregular topography into a flat site is clearly a technocratic gesture which aspires to a condition of absolute placelessness, whereas the terracing of the same site to receive the stepped form of a building is an engagement in the act of "cultivating" the site. - Page 143
Interdisciplinarity is not the calm of an easy security; it begins effectively... when the solidarity of the old disciplines breaks down—perhaps even violently, via the jolts of fashion—in the interests of a new object and a new language... - Page 15
form of connection that can make a unity of two different elements, under certain conditions." - Page 128
it is now recognized that people have multiple identities, then the same point can be made in relation to places. - Page 128
is an annual death toll comparable to the casualties of a bloody war, beyond calculation in dollar terms. It approaches - Page 253
is an 'intermediate' description [of reality] that lies somewhere between the two alienating images of a deterministic world and an arbitrary world of pure chance."' - Page 203
My idea of paradise is a perfect automobile going thirty miles an hour on a smooth road to a twelfth-century cathedral. - Page 262
locational movement—the bringing of the product to the market, which is a necessary condition of its circulation, except when the point of production is - Page 236
13. Immanuel Kant, Critique of Judgment, trans. Werner S. Pluhar (Indianapolis: Hackett, 1987), - Page 139
See Wenche E. Dramstad, James D. Olson, and Richard TT Forman, Landscape Ecology Principles in Landscape Architecture and LandUse Planning (Cambridge, - Page 53
Cover:
The Landscape Urbanism Reader
+ By Charles Waldheim
+ Published 2006
+ Princeton Architectural
+ Press
+ 293 pages
+ ISBN 1568984391
Labels: Architecture, Urban Landscape